Four versions of Malibu Hounds reworked into altered states of consciousness by the God of Blues himself. For all the equatorial heat the repeated 'Malibu' may imply, this starts off with We All Wring Our Hands; a howling icy blast of chill-whipped distortion, a billowing gale of wintery atmosphere that blasts right out the speakers, deep into the marrow of your bones, followed up by 17 minutes of sparse beat spiked blizzard in the Fork It Over mix. The muted patter of beats doesnl;t have to move much under such harsh conditions in order to make its presence felt it's sinisterly effective and locks your attention into it for its full unyielding length. The third reworking is more spacious - Skeptic Sleeper bleeds heat and light in by chopping and glitching about a bit, fluttering clap beats batting gasps of air out of the suffocating chaos. The final 20 minuter Dreamstation begins ever so slowly, a space-crawl out into a glittering cosmos of suspended breath ambience. Clouds of vapour coalesce, as the starship begins its descent, burning and charring through the atmosphere before slowly floating down amidst smoky pallor. One of the heaviest and greatest of Malibu Wands releases to date.
Malibu Wands, aka Gremlynz, aka Pink Priest, aka God of Blues releases this new long one, sparse and wintery minimal drone track in homage and dedication to Varg Vikernes, aka Count Grishnak, aka Burzum.
In the 'Wands' own words:
"This is you in the icy wind, fucked, and pessimistic, looking for a glimmer of hope, with all your personal demons kicking snow in your face."
Two new preview tracks from upcoming releases of the Gremlynz incarnation of Pink Priest. The first is I Have To Be Leaving due to come out as a Beko / La Station Radar label collaboration (coming up next). The second is an excerpt from the track Crystal Hexes - a 32 minute tape to be released on Family Time which he describes as"if previous Gremlynz sound was "being dropped into 10,000 gallons of water," Crystal Hexes is more like
"getting caught in a heavy downpour while walking down the street."" It's quite an apt description, which can be romanticised further if you imagine it in black and white so the distorting contrast blurs your vision even further, shapes shifting about the enveloping liquid static.
There's a lengthy, detailed description of all he's been getting up to and what's in store for his three or four (or three) projects over on his God of Blues blog.