Here's a bit - more and the mix inside the TELEPORTER:
"I started out making really really hard Jeff Mills-y techno when I was about 15, on a Yamaha DJX keyboard. Really purposeful hard as fuck loopy techno. It sounded really bad and then I learnt more about production and stuff, moved away from more traditional music and got into noise based stuff later on.
On the mix there's a thread between the tracks that ties them together, a sense of formlessness to it, an amorphousness which is a counterpoint to the more structured techno...
They are two really clear things in my head and I understood when you said formless, I like the really loose and unformulaic – no rigid bar structure or tempo, music that doesn't have a repetitive structure. Really weird compared to more traditional dance music. There's definitely quite a strong link between most of the tracks in the mix.
There’s a noisiness and a trance-y, meditative aspect running through to the last track... a kind of religious, ritualistic trance music...
That sounds like something out of Blade Runner doesn't it? I found that last track on a really cool blog; it was tagged with the genre 'Ceremony'. I like that there was a genre called Ceremony. "
